When you pick up
a book with a pretty girl on the cover, you might make certain
assumptions about its content, you might weigh the pages in you hands
and read the snappy blurb and think that a prose poetry novel about
an ageing stripper might be just the sort of titillating
entertainment that would lift the clouds of an empty weekend.
The Champagne
smile is a heavy book. It is not a cloud breaker, it is a rain
maker. I found myself reading slower and slower with each chapter,
feeling myself being dragged unwillingly into the torture chamber of
this poet's mind. I cannot say how much of this book is
autobiographical, but there are too many venomous wounds held open by
her ink stained fingers for me to believe that this is a work of
pure, imaginative fiction. I could only compare Marrasso's book to
Dorothy Porter's verse novel 'The Monkey's Mask', or even Charles
Bukowski, as poets describing the ever widening downward spirals of
alcoholism and degradation, and those comparisons are intended as a
compliment. Inez Marrasso writes about a life behind the curtain and
on the stage, but the lighting is not flattering and the curtains are
stained with cum and beer and the thick chemical smoke of the strip
club is enough to make you choke.
I remember the
first time I ever went to a strip club, on Hindley Street, perhaps
even the club described by Marrasso. I was about nineteen or twenty.
A girl caught my eye, I had a couple drinks and ordered a lap dance.
As she sat on the edge of my table, waiting for the next song to
come on, I asked her how she got into stripping. She told me that
she was a mother, studying at uni, stripping to pay the bills. It
might have been a line, a throwaway lie with enough truth in it to
satisfy the casual customer, but it had enough truth also, to be
true. I bring this up because in remembering this event, I realise
that it immediately humanised the woman before me. She was not a
naked prop to support my young and eager fantasies, she was a woman,
working in a job.
This book is
about a working woman, Jagger, and sometimes the job is
dangerous, sometimes delightful, but the big picture is that the work
is a quest in darkness for a sense of self and real identity that
could not be found in married life, nor in corporate professional
employment. Neitzche declared he would not believe in a god who did
not dance, and Marrasso mirrors the sentiment:
Show me a God
who dances, I say.
Better to be
thirty eight years old, living bold than sliding
towards a
finale of board games.
But
this book is not a divinity tale, not a straight line morality fable
tale of a woman falling into the hole she digs for herself. It is
the tragic story of the men and women living in the same darkness,
like Frank, the soldier sent off to Afghanistan who is as human as
the protagonist and his lonely striving to become worthy of love are
as important to the narrative as wine is to the drinker.
Frank gives me
his army dog-tag, places it around my neck
'It would turn
me on if you wore it against your skin.'
He lingers,
'Please, Jagger, just one kiss?'
It is all I
have one as the cold metal dangles over my nipples.
This chain
should make me bulletproof, but it sends stiff chills,
is as
breathless as a noose.
He says, 'I
wanna taste life from your lips, no gift would be
greater
than this.'
Frank looks
deep in some memory he hasn't had,
mouth gapes
wide like a venus fly trap.
I could've
been anyone
*
The Scarlet
Lounge unlocks itself to thousands of men like
Frank,
who share
their wounds with girls but don't care what they
think.
As long as the
drinks are cold, they tell a truth from lies they
dare not
speak to naked nuns with open legs and closed
mouths,
through vows
to silent sins held in the silhouette of time
*
This
book is filled and spills over with the stories of the men she dances
for, of their hopeless hope and naïve romantic notions of her
virtue, when for her Every day dignity changes shape. This
book however is not a sappy tear stained moan about lost young men,
this book does not linger for long over such romantic notions. It
runs head first through the gauntlet of jackal faced liars who come
hunting with fistfuls of money and promises like honey, while their
fingers, uninvited, probe assholes and cunts and grab flesh as if
they owned it, as if every stripper were a whore, as if whore were
another word for slave, as if slave were another word for meat.
I
used to date a girl who worked as an escort. A client bit one of her
nipples off, and that was just the part of the story she was
comfortable telling me. There were worse violations that left
invisible scars, and the money she earned was hardly enough
recompense for the kinds of rape that police consider unworthy of
prosecution. Her champagne smile could be no better described than
by a book such as this, a difficult book, a hard book, a rain maker
and a heart breaker.
A
book like this is beautiful in its ugliness. I believe in rough cut
diamonds. I believe in the dignity to be found in hard work, and I
think that sex work of any kind is some of the hardest to be found on
this planet. This novel, for that is what it, reminds us of the
common humanity and desperate loneliness found in both men and women.
In the suicides it describes, in the mutilations, in love and
friendship and sisterly solidarity, this story, like its protagonist,
is unashamed, it is a hard-won trophy, and its author has worked hard
to carve truth from illusion and make her poetry both sensual to
read, and surreal to experience. Each poem, two pages in length, is
as dense as the chapter of a book, the language and rhythms and
rhymes falling into and out of syncopation. It makes me want to
drink, and makes me glad that I have stopped all that in my life. I
am thankful for my sobriety, yet sympathetic with the struggles of
this character, which though extreme, are also common, in her quest
'to reconcile the two halves of a whole life', 'And a black
unicorn stands by her side, ready for the ride.'
It's
not an easy read, but the truth very rarely is.
*
Inez
Marrasso's book, The Champagne Smile, can be purchased through
her website
*
Dorothy
Porter - Monkey's Mask
Charles
Bukowski
This sounds like an awesome book. I don't know whether I feel brave enough to read it, but feel I should try to ...
ReplyDeleteI hope you do read it. It is dark but it also speaks to how lost we can get as human beings in pursuit of our dreams
ReplyDeleteWell reviewed. Inez is a clever writer and a brave soul.
ReplyDeleteBravo - authority and authorized. The most powerful contemporary piece of writing I've encountered and the context is on our doorstep reminding us of so many immediacies. Don't stop Inez this is the tip only; my mind is opened - I am grateful. Thank you.
ReplyDeleteThat was me (Geoff Aitken) and "Champagne Smile" belongs at The Fringe on stage for appreciative theatre audiences. Cheers
Deletewow, thank you so much, I appreciate the support. I can't stop, the story before and after this time needs to also be told...
Deletethank you Geoff, I will take it to the stage, most definitely xx
DeleteThanks for the comments everyone. Inez's book is a powerful statement about modern life. I pray that it achieves public success and recognition for the great work that it is.
ReplyDelete