Review of Sanacori

Some albums come into your life at just the right moment. This moment has been a long time coming, and, sitting alone as I so often do now, with crowded parties and noisy restaurants a rare and nervous experience, this music came to me...a world unto itself, both foreign and familiar.

There's something about 'folk' music that speaks to me, whether it's Irish acoustic folk-punk, Croatian post-apocalyptic-folk-sludge-metal, or this album of traditional Italian folk. Starting at the very first song, La Zamarra (The spider), I close my eyes and imagine the feasting hall, the band roaring from the raised corner stage, the singer now crooning, now crying, and the words, as yet untranslated by my ear, speak with perfect clarity to my heart, to my feet, my hips and hands.

I hardly need to understand this music with my mind. It speaks to my ancestors, whether or not they were Italian, Spanish, German or Armenian (and my ancestors were in fact from all those places...). These are love songs, bawdy and bold, sweet and sentimental, real and raw. The sweet melody of a thin whistle, or the cheerful skipping keys notes of the accordion, the comfort of a guitar chord strummed with percussive precision, pulsing and pushing, pulling and playing with my ear, casting me into an imaginary world of laughing smiling people, feasting, dancing, singing and playing in a universe unattached to this present one.

Yet, for all the work my imagination does as it receives this music through my soft, glorious headphones, it is also real, completely real. This band live not so very far away, they play in their own world, despite the present struggles to create a safe place for audiences to gather. Today, that audience gathers in a restaurant in my mind. Today and Yesterday and Tomorrow they play on, and I dance in my lounge room, I sing along to the words I do not understand with my mind, but in my guts, in my heart, in my soul, I understand...

..."Cu balla campa cient'anni"

Those who dance will live one hundred years.

So today, though I dance alone, I know that there will come a day when I will dance with you again.

Sanacori will play for us at the reunion party.

 

The album can be purchased here :

https://sanacori.bandcamp.com/album/sanacori

 

 

Review of: Glyphs of Uncertain Meaning by Tim Gaze

 

I read this book backwards,

it was Tuesday night, around 10,

i was half in

half out

feelin kinda weird

but ok,

so i read the book back to front,

a story in symbols

or, as my son put it,

"like it was written by someone who has heard about calligraphy

but never actually seen any."

Before the word there was the letter

before the letter, the symbol

before the symbol

was,

well,

the mark?

the scratch

the line or curve

or, something protean

like a seed,

or a rain drop.

Glyphs of uncertain meaning, how apt that this book owns up to its intangible message, and promises no wisdom, no solutions, not even beauty.

Just art

before art.

Tim Gaze is a remarkable artist whose work, now regarded as instrumental in drawing together an international community, has always been primarily in book form. Very few single pieces of his work are framed and hung on walls. Instead, he produces hundreds of images, thousands of images, a whole storm of asemic symbols, post-literate visual poetry and calligraphy. His writing on the subject has spanned decades, and his weighty published collections of international asemic art have a proud place on the shelves of many painters, poets and calligraphers around the world.

If you've never heard of asemic art...

well,

the story is just beginning for you.

Tim's new book, Glyphs of Uncertain Meaning can be purchased 

here:

 Also, check out the Post-Asemic Press for more info on the whole 

art-form.

 

 

 (The following two poems were written about me, by my friends)

 

For Morgan

We all know a talented man called Morgan

Who plays LOTS of instruments, except the Organ

With the beat of his drum

Our hips go dum tak dom

As he plucks his guitar strings

Shimmies a plenty the sound brings

His crooning soulful music

Makes us sway and get lost in it

But it’s the words that he writes

That this year has given all our hearts flight

The poetry that makes our soul dance

His way with words is a thing of romance

Thank you for sharing this gift

Pre-rehearsal it gave us a lift

Forgive this fabled attempt to replicate

But in its sentiment we wanted to duplicate

The feelings of gratitude all warm and proud

That a personalized poem said out loud

Brings to the receiver, the listener, hearer

In to the light a little clearer!

Written by Sarah Jay and Sarah-Tucker-Boehm

The Gift - For Morgan

To see the world through your eyes, it must be like magic

a place where everything is detailed yet so simple

To see the world through your eyes, with the wisdom of an ancient bard,

paralleled with the enthusiasm of a child seeing everything for the first time

The details, every detail, from the finest thread, to the most delicate sound

woven into a story only you could tell

You are a wordsmith, a music maker, a dream weaver

A seer of wonder in those around you, yet humble in your own 

talents

To see the world through your eyes, it must be like magic

the spark of a heel on the side walk, a dungeon full of dragons, 

a room full of stars, you pull the stars down and weave them around 

us like a warm blanket,

a hug, a cup of the finest hot chocolate

You are a wordsmith, a music maker, a dream weaver, a gift giver

you have a view like no other, the words pour out of you like a 

magnificent waterfall

To see our world through your eyes, it becomes magic

A true gift is one that is given without expectation,

You are a wordsmith, a music maker, a dream weaver,

You are a true gift giver

Written by Regan Gardner

                                       

 For Simon

(Feb 2021)

His humble silence speaks volumes,

compare him to a tree standing in the field

with all the world taking shelter beneath his subtle shade

his unobtrusive presence, giving

always giving

listening,

never imposing, nor confounding,

just,

asking every now and then

if this might be the thing

the time

the idea

that might work?

And how,

if he might,

take his place cross legged

upon the stage,

where he might play music

with his friend

so that we

might all

smile with his smile

and dream a little

beneath the shelter of his

gentle shade,

where he could play music endlessly

and the day might vanish in the pleasure of his company,

we might un-crease our brows

un-knot our shoulders

unclench our jaws and

slide

up

into the clouds

wherefrom, as midnight rain, we might return to the earth

a little kinder

a little softer

a little gentler than before,

resting here

in the shelter of his subtle shade.

 

For Bridgette

I see you out the corner of my eye

a glance

a gesture

your hand gliding

your foot sliding

but as I play the song,

focused overwhelmingly on my fingers and my heartbeat

I cannot see the whole story

you are telling

yet

I know

that whatever narrative, or

whatever adventures your dance takes you on

I trust that

you step in the footprints of poetry

you spin on the breath of the song,

blue as the sky

blue as the night

and just the same

full of wild birds

and starlight

 

For Sarafina

even backstage, chilling with her man or chatting with her crew, she is a star,

she is full of warmth and light

we orbit about her

she whose smile rises from her eyes and covers everything she sees

You have to watch her eyes to really know what’s going on, you see, while you’re watching her, she’s looking out through those glimmering stars,

she’s peeking out from behind her veil

but get this...the veil hides nothing.

It’s a spotlight in her hand

it’s a trailing stream of living colour

accenting, outlining,

mapping the contours

and if for a moment your eyes cannot see every thing

the mind will conjure

the scenery,

the desert wind

the cascading leaves of autumn

the pouring rain of winter

the glimmering diamonds of sunlight in spring

her eyes…

... so full of warmth and light

we orbit around her,

she whose smile rises from the very earth beneath her feet,

making every part of her glow

lighting up the room

illuminating all our happiness

You have to watch her eyes to really know what’s going on, you see, while you’re watching her, she’s looking out through those glimmering stars...

 

For Tony

There is a trick to his smile, something in his mischievous curling moustache and the crinkling skin, so full of promise, winking at the corner of his eyes. There is a hidden energy inside his steady step and noble posture. Up the red stairs, I see him carrying his piano, his cajon, his tashigoto, his halo, this alchemist is a wandering warrior monk, capable of dancing and singing and clapping in divisive triple time, and all the while breathing his mathematic mantras, he maintains perfect balance.

During rehearsal in the bright day-lit studio, he sits astride his box drum, surrounded by technological marvels that, like cybernetic enhancements from some sci-fi dream, grant him a vast capacity for spontaneous poly-rhythmic melodies. Here at least, some of his mystery is revealed, for one cannot hide behind one's music, it reveals all of the unspoken parts of a person's story. His music is a portrait of a well travelled man, both in the realm of countries and people and places, but also in that vast and significant inner world that is a little more difficult to describe, yet equally adventurous to explore.

We see through our mind's eye into the world of imagination. We hear through our inner ear the songs of all creation. We feel through our flesh the truth of our feelings, and this man, this multi-cultural musical alchemist and dancer, speaks to us with an inner voice, with an inner language that we all hear, and we all understand. In defiance of the count of his years, he is lifted from within by a youthful buoyancy, and we who are graced to know him, we who are blessed to work and play with this living example of a modern international man of culture and intelligence and joy, cannot help but be lifted up with him, a little closer to the sun.