A little bird told me a story,
and though its memory is faulty,
and the poetry of its song was
translated through the muddied rivers of memory,
the story was so true that even the
lies make it through
the wall of time and, growing up and
growing old,
become true enough in the end to make a
good story great.
This book in my hand, Sparrow, is to
poetry what a novel is to a bar-room tale.
Some poets will lie about the truth,
others will tell the truth about the
lies they have told,
or been told,
but this Sparrow tells the story of a
refugee child who,
growing up in war and torment
and fleeing like a wild animal to find
safety in a foreign land,
found love and truth and healing and a
whole life of stories:
Australia is a land populated by
refugees, and there is something magical in that fact.
This red and yellow and black and white
earth takes us all in and makes us feel like we belong, no matter
where we come from. There are poets who will write about magpies as
if they have only seen them on TV, there are poets who write about
love as if they know only what their own broken hearts have to say on
the subject, there are poets who will try to convince us that their
monsters must become our monsters, that we must join in their fight
or else be declared enemies of freedom, poets who do not believe, or
who believe too much...
This Sparrow, this biographer poet who
tells the story of her husband's flight and freedom and of the five
thousand fights that a man must fight before he can call himself a
man, tells something more than truthful, and the language of her
poetry is simultaneously perfect and plain. I can hear the magpie
songs as I turn the page, I can smell the sweat of horses, I can feel
the rising surge of love as children play and fight and swear and
grow up in this expansive story of life contained so succinctly
between the covers of a little paperback book. This poet does not
try to convince, does not wrangle, does not describe the abstractions
of experience, but rather, she speaks with the voice of magpies, she
dances in the circle of her family, admits the fragility of memory
and in doing so has achieved a monument of literature that transcends
the details of the story, and fills me with a sense of real knowing,
real understanding.
A little bird told me a story
and though its memory is faulty
and though the song may have lost
something of its details to the erosion of time,
these poems of a refugee,
these Sparrow footprints, wet upon the
stone,
have left a mark that will not
evaporate
from my heart.
Review written by: Morgan Taubert.
PS. Normally in a review, I would include some examples of the poet's work, but Belinda's book is so magnificent from first page to last that I have struggled to find anything suitable to serve as an example. So, needing to quote something, I will give you the very last passage of the book, from the poem - Awakening.
The sky opens to the stars.
All of life could be between my thumbs.
The needle and the camel,
crazy people like me slip through.
the dark knot of my heart unravelled.
She bunched it up with her hair.
After discursive dreams, my eyes opened.
Nothing had changed; everything had changed.
I awaken to myself.
It is one of the many ways to die.
*
Belinda's books, can be found through Ginninderra Press, as well as her blog:
www.belindabroughton.wordpress.com
www.ginninderrapress.com.au